The (In)Definition of Reality: Reframing and Contested Topsight: https://www.academia.edu/32351646/
Huyendo de lo que dura
Introducción al análisis estructural de los relatos
Retropost, 2011: Introducción al análisis estructural de los relatos https://vanityfea.blogspot.com/2011/04/introduccion-al-analisis-estructural-de.html
Six Basic Arcs
Reagan, Andrew J., Lewis Mitchell, Dilan Kiley, Christopher M. Danforth, and Peter Sheridan Dodds. “The Emotional Arcs of Stories Are Dominated by Six Basic Shapes.” EJP Data Science 5 (2016): art. 31.*
https://doi.org/10.1140/epjds/s13688-016-0093-1
https://epjdatascience.springeropen.com/articles/10.1140/epjds/s13688-016-0093-1
2021
Expect the Expected
Berliner, Todd. “Expect the Expected: Aesthetics of Planting and Playoff.” Narrative 28.2 (May 2020): 174-99.
https://dx.doi.org/10.1353/nar.2020.0009
Online at Project Muse; online at Academia.*
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2020
La perspectiva dominante en ‘El Arte de la Guerra’
La perspectiva dominante en ‘El Arte de la Guerra’ https://www.academia.edu/18511414/
Momentous Events and Turning Points
Retropost, 2009: Momentous Events and Turning Points http://vanityfea.blogspot.com/2009/10/momentous-events-and-turning-points.html
La Acción en la narratología estructuralista
La Acción en la narratología estructuralista (Acción, Relato, Discurso, 1.2): https://www.academia.edu/8408898/