Metaautobiographical Novels

Athanasiou-Krikelis, Lissi. “Twisting the Story: Margarita Karapanou’s Rien ne va plus and Amanda Michalopoulou’s Θα ήθελα as Metaautobiographical Novels.” Journal of Modern Greek Studies 34.1 (2016):  Online at Project Muse / Internet Archive.*

https://muse.jhu.edu/lockss?vid=11145
https://doi.org/10.1353/mgs.2016.0018

         https://web.archive.org/web/20171025235302/https://muse.jhu.edu/article/614437/pdf

         2022

Figurally Colored Narration

Schmid, Wolf. Figurally Colored Narration: Case Studies from English, German, and Russian Literature. (Narratologia, 18). Berlin and Boston: de Gruyter, 2022.*

https://doi.org/10.1515/9783110763102

2022

_____. “Preface.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022.*

http://doi.org/10.1515/9783110763102-001

2022

_____. “1. Introduction: Narrator and Figure.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 1-15.* (Chekhov, “Rothschild’s Violin”, Torah, Homer).

http://doi.org/10.1515/9783110763102-002

2022

_____. “2. Figurally Colored Narration: Terms and Definitions.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 16-41.* (McHale, Cohn, Palmer, Spitzer, Bakhtin, Kenner, Stanzel, Fludernik, Bal)

http://doi.org/10.1515/9783110763102-003

2022

_____. “3. Figurally Colored Narration as Text Interference.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 42-57.* (Voice, Free indirect discourse).

http://doi.org/10.1515/9783110763102-004

2022

_____. “4. Functions and Areas of Application.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 58-123.* (Chekhov, “The Bride”; Bellow, “Looking for Mr. Green”; Chekhov, “The Student,” Jurij Trifonov, The Long Goodbye; Mansfield, “The Daughters of the Late Colonel”; Dieter Wellershoff, “The Normal Life”; Hemingway, “Up in Michigan”; Dickens, Little Dorrit; Austen, Emma; Mann, “Tristan”; Dostoevsky, “A Nasty Anecdote”, Crime and Punishment; Pil’njak, The Naked Year; Tolstoy, “The Forged Coupon”; Fay Weldon, “Weekend”; children’s fiction; Dostoevsky, The Eternal Husband, The Double;Pushkin, “The Coffinmaker”; Shirley Jackson, “The Lottery”; Faulner, “Elly”; Illusion, desription, dreams, Foreshadowing, Mood, Characterization, Flashbacks).

http://doi.org/10.1515/9783110763102-005

2022

_____. “5. Limiting and Uncertain Cases.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 124-42.* (Figural coloring without a figure; Mansfield, “At the Bay”; Woolf, The Waves, Guzel’ Jaxina, My Children; Character or Narrator? – Goethe, Novella, Otto Ludwig, Between Sky and Earth; Thomas Mann, “A Weary Hour”; Dostoevsky, The Adolescent).

http://doi.org/10.1515/9783110763102-006

2022

_____. “6. Summary and Conclusions.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 143-52.*

http://doi.org/10.1515/9783110763102-007

2022

Business Conspiracies

Alemany Oliver, Mathieu. “Navigating Between the Plots: A Narratological and Ethical Analysis of Business-Related Conspiracy Theories (BrCTs).” Journal of Business Ethics 28 Aug. 2020.* (Springer)

         http://doi.org/10.1007/s10551-020-04612-3

         2022

         Online at Internet Archive.*

         https://web.archive.org/web/20201108171814/https://link.springer.com/content/pdf/10.1007/s10551-020-04612-3.pdf

         2022

Comunicación, Periodismo y Género

Ramo Ruiz, Anselmo. “Un nuevo discurso mediático para un periodismo renovado contra la violencia de género.” In Comunicación, periodismo y género: Una mirada desde Iberoamérica. Ed. Martín Oller Alonso and Mª Cruz Tornay Márquez. Prologue by María del Mar Martínez Alvarado. Spain: Egregius, 129-47.*

https://www.academia.edu/43911106/

2021

Postclassical Narratology

Alber, Jan, and Monika Fludernik, eds. Postclassical Narratology. (Theory and Interpretation of Narrative). Ohio State UP, 2010.

Online at Scribd:

http://es.scribd.com/doc/158252564/ALBER-y-FLUDERNIK-Postclassical-Narrative

2013

Online at Knowledge Bank (Ohio State U).*

https://kb.osu.edu/bitstream/handle/1811/46965/A_and_F_Book4CD.pdf

2021

_____, eds. Postclassical Narratology. Online at Scribd (Sandra Marín) 29 Feb. 2016.*

https://es.scribd.com/doc/301058058/

2016

Two Reviews of NARRATIVE COMPLEXITY

Delioglanis, Vasileos. Review of Narrative Complexity, ed. Marina Grishakova and Maria Poulaki. Ex – Centric Narratives: Journal of Anglophone Literature, Culture, and Media 4 (2020).*

https://ejournals.lib.auth.gr/ExCentric/article/view/7925

2021

Wan, Xiaomeng. (Shanghai Jiaotong U, wanxm1993@sjtu.edu.cn). Rev. of Narrative Complexity, ed. Marina Grishakova and Maria Poulaki. Frontiers of Narrative Studies 6.1 (2020).

https://doi.org/10.1515/fns-2020-0009

https://www.degruyter.com/view/journals/fns/6/1/article-p127.xml?language=en

2021