• HC Visitor
Skip to content
Narrative theory and Narratology

Narrative theory and Narratology

Just another Humanities Commons site

Posted on May 19, 2020 by José Angel GARCÍA LANDA

Daniel Ferrer, Accident et récit de génèse

CategoriesAesthetics, Valéry, Writing TagsAccidents, Authorship, Intention, Writing

Post navigation

Previous PostPrevious Authenticity and Creation of Selves in Defoe’s Fictional Autobiographies
Next PostNext ‘El Juego de Ender’: La realidad flojea

Archives

  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017

Categories

  • Acting
  • Action
  • Adaptation
  • Aesop
  • Aesthetics
  • Alber
  • Announcements
  • Aristotle
  • Aspect
  • Authors
  • Authorship
  • Bal
  • Baroni
  • Baroni
  • Barthes
  • Bernstein
  • Bible
  • Bibliography
  • Big data
  • Big History
  • Biography
  • Blogs
  • Blogs
  • Books
  • Booth
  • Bordwell
  • Burke
  • Carlos de Oliveira
  • Causality
  • Causality
  • CFP
  • CFPs
  • Characters
  • Characters
  • Charles Dickens
  • Chatman
  • Chinese literature
  • Claudio Guillén
  • Closure
  • Cognition
  • Cognitive narratology
  • Cohn
  • Comics
  • Communication
  • Complexity
  • Complexity
  • Conferences
  • Consilience
  • Conversation
  • Corporate narratology
  • Cosmology
  • Coste
  • Courses
  • Criticism
  • Culler
  • Cultural studies
  • Cybertheory
  • Dance
  • Daniel Defoe
  • Deconstruction
  • Dialogism
  • Discourse
  • Documentaries
  • Dolezel
  • Drama
  • Dramatism
  • Eco
  • Embedding
  • Émile Zola
  • Enchi Fumiko
  • Enunciation
  • Epic
  • Epistolary fiction
  • Ethics
  • Events
  • Events
  • Evolution
  • Evolutionary narratology
  • Experience
  • Experimental fiction
  • Experimental narrative
  • Fabula
  • Fate
  • Faulkner
  • Feminism
  • Fiction
  • Fictionality
  • Film
  • Fludernik
  • Focalization
  • Folklore
  • Formalists
  • Frames
  • Games
  • García Landa
  • Gender
  • Genette
  • Genette
  • Genres
  • Georgakopoulou
  • Gothic
  • Gottschall
  • Gould
  • Grishakova
  • Harari
  • Hegel
  • Hermeneutics
  • Hindsight
  • History
  • History
  • Hölderlin
  • Hühn
  • Humanities Commons
  • Hypertext
  • Iconicity
  • ICT
  • Ideology
  • Images
  • Immersion
  • Implied author
  • Implied reader
  • Installations
  • Institutions
  • Interaction
  • Interdisciplinary narratology
  • Intermediality
  • Internet
  • Interpretation
  • Intertextuality
  • Jack London
  • Japanese literature
  • John Irving
  • Journalism
  • Journals
  • Juan Ruiz
  • Kurt Vonnegut
  • Lanser
  • Law
  • Lévi-Strauss
  • Lewis Carroll
  • Linguistics
  • Literary history
  • Literary theory
  • Lukács
  • Lyric
  • Marguerite Yourcenar
  • Marguerite Yourcenar
  • Mead
  • Memoirs
  • Memory
  • Metafiction
  • Metafiction
  • Metafiction
  • Metalepsis
  • Metanarrative
  • Mind
  • Mise en abyme
  • Mode
  • Modernism
  • Montage
  • Motivation
  • Muravieva
  • Muriel Spark
  • Myth
  • Nabokov
  • Nabokov
  • Narratee
  • Narratee
  • Narration
  • Narration
  • Narrative
  • Narrative anchoring
  • Narrative level
  • Narrative person
  • Narrative structure
  • Narrative structure
  • Narrative technique
  • Narrativity
  • Narratologists
  • Narratology
  • Narrator
  • Neurology
  • Norrick
  • Northrop Frye
  • Novel
  • Novel
  • Ohran Pamuk
  • Oral narrative
  • Oral narratives
  • Orson Scott Card
  • Palmer
  • Paradoxes
  • Parallelism
  • Pascal Lainé
  • Patterns
  • Persian literature
  • Perspective
  • Perspective
  • Perspectivism
  • Philip Pullman
  • Philosophy
  • Photography
  • Physics
  • Pier
  • Plot
  • Poetry
  • Poetry
  • Point of View
  • Polybius
  • Postmodernism
  • Prince
  • Prose Fiction
  • Psychoanalysis
  • Rabinowitz
  • Reading
  • Reflexivity
  • Reflexivity
  • Religion
  • Repetition
  • Reports
  • Representation
  • Retroprospection
  • Retrospection
  • Reviews
  • Rhetoric
  • Richardson
  • Rimmon-Kenan
  • Romance
  • Roundy
  • Ryan
  • Sagas
  • Samuel Beckett
  • Schaeffer
  • Schmid
  • Science
  • Science fiction
  • Science fiction
  • Seminars
  • Semiotics
  • Serials
  • Short story
  • Showing
  • Showing
  • Societies
  • Space
  • Spencer
  • Squire
  • Status
  • Stephen Baxter
  • Stephen Crane
  • Stories
  • Story
  • Strategy
  • Structuralism
  • Stylistics
  • Subliminal perception
  • Sunzi
  • Suspense
  • Tales
  • Tense
  • Terminology
  • Text
  • Theatre
  • Theorists
  • Time
  • Todorov
  • Topsight
  • Tragic
  • Translation
  • Transmediality
  • Uncategorized
  • Valéry
  • Videogames
  • Virtual reality
  • Voice
  • Websites
  • White
  • William Faulkner
  • Writing

Tags

  • Action
  • Beckett
  • Bibliography
  • Blogs
  • Books
  • Cognition
  • Cognitive narratology
  • Complexity
  • Cosmology
  • Criticism
  • Evolution
  • Evolutionary narratology
  • Evolutionism
  • Experimental fiction
  • Experimental narrative
  • Fictionality
  • Film
  • Hindsight
  • History
  • Identity
  • Implied author
  • Interaction
  • Literary theory
  • Metafiction
  • Narration
  • Narrative
  • Narrative anchoring
  • Narrative mapping
  • Narrative structure
  • Narrative technique
  • Narrative theory
  • Narrativity
  • Narratology
  • Narrator
  • Narrators
  • Novel
  • Reading
  • Reflexivity
  • Retrospection
  • Samuel Beckett
  • Semiotics
  • Stories
  • Storytelling
  • Structuralism
  • Time

Recent Comments

  • José Angel GARCÍA LANDA on Narrative Universes
  • Francois Lachance on Narrative Universes
  • Francois Lachance on Mieke Bal on Character, Dialectic, and Open-Minded Analysis
  • José Angel GARCÍA LANDA on Mieke Bal on Character, Dialectic, and Open-Minded Analysis
  • Francois Lachance on Understanding Narratives
May 2020
M T W T F S S
 123
45678910
11121314151617
18192021222324
25262728293031
« Apr   Jun »
  • Narrative Theory and Narratology group
Proudly powered by WordPress
This site is part of Knowledge Commons. Explore other sites on this network or register to build your own.
Terms of ServicePrivacy PolicyGuidelines for Participation