Retropost, 2012: Artículo sobre múltiples lectores implícitos https://vanityfea.blogspot.com/2012/05/articulo-sobre-multiples-lectores.html
“‘Net of Words’: El autoengendramiento de Beowulf.”
“‘Net of Words’: El autoengendramiento de Beowulf.” https://vanityfea.blogspot.com/2022/04/net-of-words-el-autoengendramiento-de.html
La identidad en Millás y Orejudo
Toumba Haman, Patrick. “La representación narrativa y la identidad en la novela española contemporánea: Juan José Millás y Antonio Orejudo.” Ph.D. diss. U Complutense de Madrid, 2014.*
https://eprints.ucm.es/id/eprint/28202/1/T35681.pdf
2022
Figurally Colored Narration
Schmid, Wolf. Figurally Colored Narration: Case Studies from English, German, and Russian Literature. (Narratologia, 18). Berlin and Boston: de Gruyter, 2022.*
2022
_____. “Preface.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022.*
http://doi.org/10.1515/9783110763102-001
2022
_____. “1. Introduction: Narrator and Figure.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 1-15.* (Chekhov, “Rothschild’s Violin”, Torah, Homer).
http://doi.org/10.1515/9783110763102-002
2022
_____. “2. Figurally Colored Narration: Terms and Definitions.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 16-41.* (McHale, Cohn, Palmer, Spitzer, Bakhtin, Kenner, Stanzel, Fludernik, Bal)
http://doi.org/10.1515/9783110763102-003
2022
_____. “3. Figurally Colored Narration as Text Interference.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 42-57.* (Voice, Free indirect discourse).
http://doi.org/10.1515/9783110763102-004
2022
_____. “4. Functions and Areas of Application.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 58-123.* (Chekhov, “The Bride”; Bellow, “Looking for Mr. Green”; Chekhov, “The Student,” Jurij Trifonov, The Long Goodbye; Mansfield, “The Daughters of the Late Colonel”; Dieter Wellershoff, “The Normal Life”; Hemingway, “Up in Michigan”; Dickens, Little Dorrit; Austen, Emma; Mann, “Tristan”; Dostoevsky, “A Nasty Anecdote”, Crime and Punishment; Pil’njak, The Naked Year; Tolstoy, “The Forged Coupon”; Fay Weldon, “Weekend”; children’s fiction; Dostoevsky, The Eternal Husband, The Double;Pushkin, “The Coffinmaker”; Shirley Jackson, “The Lottery”; Faulner, “Elly”; Illusion, desription, dreams, Foreshadowing, Mood, Characterization, Flashbacks).
http://doi.org/10.1515/9783110763102-005
2022
_____. “5. Limiting and Uncertain Cases.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 124-42.* (Figural coloring without a figure; Mansfield, “At the Bay”; Woolf, The Waves, Guzel’ Jaxina, My Children; Character or Narrator? – Goethe, Novella, Otto Ludwig, Between Sky and Earth; Thomas Mann, “A Weary Hour”; Dostoevsky, The Adolescent).
http://doi.org/10.1515/9783110763102-006
2022
_____. “6. Summary and Conclusions.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 143-52.*
http://doi.org/10.1515/9783110763102-007
2022
¿Qué es una obra narrativa digital?
“¿Qué es una obra narrativa digital?” https://reader.digitalbooks.pro/content/preview/books/39918/book/OEBPS/ch01.html