Narrative theory and Narratology
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Prósper Ribes, Josep (U Politécnica de Valencia, jprosper@har.upv.es). “La presencia del narratario en el relato audiovisual.” Signa: Revista de la Asociación Española de Semiótica 24 (2015): 463-478. Online at e-Spacio (UNED).*
http://e-spacio.uned.es/fez/view/bibliuned:signa-2015-24-5145
2015
http://revistas.uned.es/index.php/signa/article/download/14698/13113
2021
Retropost, 2011: Match Cut Indeed https://vanityfea.blogspot.com/2011/05/match-cut-indeed.html
Retropost, 2011: Narration in the Fiction Film https://vanityfea.blogspot.com/2011/02/narration-in-fiction-film.html
Shaham, Inbar. “The Structure of Repetition in the Cinema: Three Hollywood Genres.” Poetics Today 34.4 (2013): 437-518.* (Plans, heist, adventures).
DOI: 10.1215/03335372-2389578
https://read.dukeupress.edu/poetics-today/article-pdf/34/4/437/459263/PT344_01Shaham_Fpp.pdf
Online at Semantic Scholar.*
https://pdfs.semanticscholar.org/9c51/5f977ef6468a6f5d047bdfe1e64284c781d5.pdf
2020
Pereira-Zazo, Óscar. (U of Nebraska-Lincoln). “Cuestión de puntos de vista: La mirada infantil en El Espíritu de la colmena y Secretos del corazón.” In Modes de representació i estratègies discursives. Ed. Josep V. Gavaldà Roca and Carmen Gregori Signes. (Quaderns de Filologia – Estudis de Comunicació, vol. 1). Valencia: U de Valencia, 2002. 227-38.*
https://www.academia.edu/34217368/
2020
Huyer, Guilherme Jorge, Bruno Leites and Alexandre Rocha da Silva. “O flashback e a narrativa nâo-linear subjetiva em Following (de Christopher Nolan).” Imagofagia 16 (2017): 190-215.*
https://www.academia.edu/37444123/
2020
La escafandra y la mariposa (Aspectos metaficcionales): https://www.ibercampus.es/la-escafandra-y-la-mariposa-37669.htm
Wanlin Li: “A Cross-Cultural Comparison of Infernal Affairs and The Departed.” Style, vol. 52, no. 3, 2018, pp. 321–344. JSTOR, www.jstor.org/stable/10.5325/style.52.3.032
The Self-Begettor (A post on James Cameron’s ‘Terminator’). http://vanityfea.blogspot.com/2018/07/retropost-27-de-julio-de-2008-self.html