Match Cut Indeed
Retropost, 2011: Match Cut Indeed https://vanityfea.blogspot.com/2011/05/match-cut-indeed.html
De quelques fonctions de la narration
Estructuras narrativas lúdicas: un soporte para artistas digitales
Tortolero Cervantes, Xóchitl. “Estructuras narrativas lúdicas: un soporte para artistas digitales.” Ph.D. diss. U Politécnica de Valencia, 2013. Online at RiuNet.*
https://riunet.upv.es/handle/10251/31122
http://hdl.handle.net/10251/31122
https://riunet.upv.es/bitstream/10251/31122/1/tesis_completa_impresion.pdf
2021
Introducción al análisis estructural de los relatos
Retropost, 2011: Introducción al análisis estructural de los relatos https://vanityfea.blogspot.com/2011/04/introduccion-al-analisis-estructural-de.html
Six Basic Arcs
Reagan, Andrew J., Lewis Mitchell, Dilan Kiley, Christopher M. Danforth, and Peter Sheridan Dodds. “The Emotional Arcs of Stories Are Dominated by Six Basic Shapes.” EJP Data Science 5 (2016): art. 31.*
https://doi.org/10.1140/epjds/s13688-016-0093-1
https://epjdatascience.springeropen.com/articles/10.1140/epjds/s13688-016-0093-1
2021
Die einfache form des Erzählens
Breithaupt, Fritz. “Die einfache Form des Erzählens (Experimentelle Geisteswissenschaften).” Online at IUScholarworks.*
2021
A Poetics of Plot
Brian Richardson: A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives. 2019.
https://www.researchgate.net/publication/336426192
2020
_____. A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives. (Theory and Interpretation of Narrative). Columbus: Ohio State UP, 2019. Online at Knowledge Bank (Ohio State U).
https://kb.osu.edu/bitstream/handle/1811/88537/RICHARDSON_KU_218pp.pdf
2021
Aspectos de la técnica narrativa en ‘Hard Times’ de Charles Dickens
Aspectos de la técnica narrativa en ‘Hard Times’ de Charles Dickens: https://t.co/igaydTcWx1?amp=1
Aquí el resumen:
The Poetics of Subliminal Awareness
The Poetics of Subliminal Awareness:
https://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/subliminal.pdf