Brian Richardson: A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives. 2019.
https://www.researchgate.net/publication/336426192
2020
_____. A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives. (Theory and Interpretation of Narrative). Columbus: Ohio State UP, 2019. Online at Knowledge Bank (Ohio State U).
https://kb.osu.edu/bitstream/handle/1811/88537/RICHARDSON_KU_218pp.pdf
2021
Qualifying and Quantifying Interestingness
Szilas, Nicolas, Sergio Estupiñán Vesga and Urs Michael Richle. “Qualifying and Quantifying Interestingness in Dramatic Situations.” In InteractiveStorytelling. 9th International Conference on Interactive Digital Storytelling, ICIDS2016. Ed. F. Nack and A. S. Gordon. Cham: Springer, 2016.* (Aesop’s Fables, narrativity).
DOI : 10.1007/978-3-319-48279-8_30
Online at Archive Ouverte UNIGE (Université de Genève).*
https://archive-ouverte.unige.ch/unige:91113/ATTACHMENT01
2021
Aspectos de la técnica narrativa en ‘Hard Times’ de Charles Dickens
Aspectos de la técnica narrativa en ‘Hard Times’ de Charles Dickens: https://t.co/igaydTcWx1?amp=1
Aquí el resumen:
La subjetividad como máscara en las Nouvelles de Beckett
La subjetividad como máscara en las Nouvelles de Beckett: https://personal.unizar.es/garciala/publicaciones/subjet.html
El Anclaje Narrativo
El Anclaje Narrativo: https://www.academia.edu/30336523/El_Anclaje_Narrativo
Contemporary French and Francophone Narratology
Aunque nacido casi en la frontera, y aficionado a la Francia, no soy francés; todo lo más francófono. Pero se me cita, en París o en Ohio, en este libro que acaba de aparecer en Ohio State UP, editado por John Pier:
https://ohiostatepress.org/books/titles/9780814214497.html
Pier, John.
Contemporary French and Francophone
Narratology. (Theory and Interpretation of Narrative). Columbus: Ohio State
UP, 2020.*
Pier, John.
“Introduction.” In Contemporary
French and Francophone Narratology. Ed.
John Pier. Columbus: Ohio State UP, 2020.*
Baroni,
Raphael. “1. Pragmatics in Classical French Narratology and Beyond.”
In Contemporary French and Francophone
Narratology. Ed. John Pier.
Columbus: Ohio State UP, 2020. 11-30.*
Patron,
Sylvie. “2. No-Narrator Theories / Optional-Narrator Theories: Recent
Proposals and Continuing Problems.” In Contemporary
French and Francophone Narratology. Ed.
John Pier. Columbus: Ohio State UP, 2020. 31-53.*
Saint-Gelais,
Richard. “3. Narration Outside Narrative.” In Contemporary French and Francophone Narratology. Ed. John Pier. Columbus: Ohio State UP, 2020.
54-69.*
Hennaut,
Benoît. “4. Narrator on Stage: Not a Condition but a Component for a
Postdramatic Narrative Discourse.” In Contemporary
French and Francophone Narratology. Ed.
John Pier. Columbus: Ohio State UP, 2020. 70-91.*
Revaz,
Françoise. “5. The Poetics of Suspended Narrative.” In Contemporary French and Francophone
Narratology. Ed. John Pier.
Columbus: Ohio State UP, 2020. 92-109.*
Pier, John.
“6. Discourse Analysis and Narrative Theory: A French Perspective.”
In Contemporary French and Francophone
Narratology. Ed. John Pier.
Columbus: Ohio State UP, 2020. 110-35.*
Bertrand,
Denis. “7. Regimes of Immanence, between Narratology and Narrativity.”
In Contemporary French and Francophone
Narratology. Ed. John Pier.
Columbus: Ohio State UP, 2020. 136-54.*
Caïra,
Olivier. “9. Fiction, Expanded and Upedated.” In Contemporary French and Francophone Narratology. Ed. John Pier. Columbus: Ohio State UP, 2020.
155-71.*
Calame,
Claude. “9. Narratology and the Test of Greek Myths.” In Contemporary French and Francophone Narratology. Ed. John Pier. Columbus: Ohio State UP, 2020.
172-200.*
Lavocat,
Françoise. 10. Policing Literary Theory: Toward a Collaborative Ethics of
Research?” In Contemporary French
and Francophone Narratology. Ed.
John Pier. Columbus: Ohio State UP, 2020. 201-22.*
—oOo—
Samuel Beckett y la narración reflexiva
SAMUEL BECKETT Y LA NARRACIÓN REFLEXIVA: https://personal.unizar.es/garciala/publicaciones/SBNR.html
Objects in the Rearview Mirror May Appear More Solid Than They Are
Objects in the Rearview Mirror May Appear More Solid Than They Are: https://personal.unizar.es/garciala/publicaciones/retroretro.html
Una poética de la ficción narrativa
Rovira Vázquez, Gabriel Antonio. Lo que Ricardo Piglia oculta: Una poética de la ficción narrativa. La Paz (Baja California Sur): U Autónoma de Baja California Sur, 2015.*
https://www.academia.edu/23002216/
2020
Theory of Reflexive Fiction
I keep on uploading my both old and new papers to the SSRN. This one was written c. 30 years ago, under duress—I had to get some tenure at the time. My life is a life-long examination…
Jose Angel Garcia Landa
Universidad de Zaragoza
1992
Abstract:
This paper examines the development of reflexive theories of fiction, and of self-conscious fictional writing, under the Modernist and early Post-modernist aesthetic in the early and mid 20th century, as many sophisticated novelists and theorists turned away from the realist-mimetic aesthetic towards more formal concerns. The development of metafiction and reflexive narrative is associated to the higher formal consciousness associated to formalist approaches to art and literature, the New Criticism and Structuralism, so that self-conscious art might almost be termed “the structuralist aesthetic”.
Number of Pages in PDF File: 20
Keywords:
Literature, Fiction, Metafiction, Writing, Novel, Self-consciousness,
Reflexivity, Formalism, New Criticism, Structuralism, Postmodernism,
Modernism, Aesthetics
working papers series
_________
_____. “‘Theory of Reflexive Fiction.” Paper presented at the
University of Zaragoza, February 1992. Online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/reflexive.html
2012 – DISCONTINUED
2020 – Online at the Internet Archive:
2020
https://personal.unizar.es/garciala/publicaciones/reflexive.html
2020
_____. “Theory of Reflexive Fiction.”
Social Science Research Network 25
June 2012.*
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2090254
2012
Literary
Theory & Criticism eJournal 25 June 2012.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2012
_____. “Theory of Reflexive Fiction.” Academia.edu 26 June 2012.*
https://www.academia.edu/1256939/
2015
_____. “Theory of Reflexive Fiction.” ResearchGate 14 Sept. 2013.*
https://www.researchgate.net/publication/256022255
2013
_____. “Theory of Reflexive Fiction.” In
García Landa, Vanity Fea 24 June
2012.*
http://vanityfea.blogspot.com.es/2012/06/theory-of-reflexive-fiction.html
2012