Huyer, Guilherme Jorge, Bruno Leites and Alexandre Rocha da Silva. “O flashback e a narrativa nâo-linear subjetiva em Following (de Christopher Nolan).” Imagofagia 16 (2017): 190-215.*
https://www.academia.edu/37444123/
2020
La escafandra y la mariposa (Aspectos metaficcionales)
La escafandra y la mariposa (Aspectos metaficcionales): https://www.ibercampus.es/la-escafandra-y-la-mariposa-37669.htm
No fate
A Cross-Cultural Comparison of ‘Infernal Affairs’ and ‘The Departed’
Wanlin Li: “A Cross-Cultural Comparison of Infernal Affairs and The Departed.” Style, vol. 52, no. 3, 2018, pp. 321–344. JSTOR, www.jstor.org/stable/10.5325/style.52.3.032
The Self-Begettor
The Self-Begettor (A post on James Cameron’s ‘Terminator’). http://vanityfea.blogspot.com/2018/07/retropost-27-de-julio-de-2008-self.html
Half Light
RetropostQ: Half Light http://garciala.blogia.com/2018/031002-retropost-2007-half-light.php
The Prehistoric Origin of Cinema
Paleolithic art in motion pictures: The prehistoric history of cinema:
http://vanityfea.blogspot.com.es/2018/02/el-origen-del-cine-hace-14000-anos.html
Stories Make the World
Most, Stephen. Stories Make the World: Reflections on Storytelling and the Art of the Documentary. Berghahn Books, 2017.
_____. “Stories Make the World.” Interview by Joel Tscherne. New Books Network 3 Jan. 2018.*
2018
Paycheck
Paycheck – la película de John Woo basada en la novela de Philip K. Dick:
http://vanityfea.blogspot.com.es/2018/01/retropost-1981-30-de-enero-de-2008.html
Stranger than Fiction
Stranger Than Fiction (una película metaficcional): http://garciala.blogia.com/2018/011902-retropost-2007-stranger-than-fiction.php