Rovira Vázquez, Gabriel Antonio. Lo que Ricardo Piglia oculta: Una poética de la ficción narrativa. La Paz (Baja California Sur): U Autónoma de Baja California Sur, 2015.*
https://www.academia.edu/23002216/
2020
Integración, memoria y narración
Retropost, 2010: Integración, memoria y narración: https://vanityfea.blogspot.com/2010/10/integracion-memoria-y-narracion.html
Theory of Reflexive Fiction
I keep on uploading my both old and new papers to the SSRN. This one was written c. 30 years ago, under duress—I had to get some tenure at the time. My life is a life-long examination…
Jose Angel Garcia Landa
Universidad de Zaragoza
1992
Abstract:
This paper examines the development of reflexive theories of fiction, and of self-conscious fictional writing, under the Modernist and early Post-modernist aesthetic in the early and mid 20th century, as many sophisticated novelists and theorists turned away from the realist-mimetic aesthetic towards more formal concerns. The development of metafiction and reflexive narrative is associated to the higher formal consciousness associated to formalist approaches to art and literature, the New Criticism and Structuralism, so that self-conscious art might almost be termed “the structuralist aesthetic”.
Number of Pages in PDF File: 20
Keywords:
Literature, Fiction, Metafiction, Writing, Novel, Self-consciousness,
Reflexivity, Formalism, New Criticism, Structuralism, Postmodernism,
Modernism, Aesthetics
working papers series
_________
_____. “‘Theory of Reflexive Fiction.” Paper presented at the
University of Zaragoza, February 1992. Online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/reflexive.html
2012 – DISCONTINUED
2020 – Online at the Internet Archive:
2020
https://personal.unizar.es/garciala/publicaciones/reflexive.html
2020
_____. “Theory of Reflexive Fiction.”
Social Science Research Network 25
June 2012.*
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2090254
2012
Literary
Theory & Criticism eJournal 25 June 2012.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2012
_____. “Theory of Reflexive Fiction.” Academia.edu 26 June 2012.*
https://www.academia.edu/1256939/
2015
_____. “Theory of Reflexive Fiction.” ResearchGate 14 Sept. 2013.*
https://www.researchgate.net/publication/256022255
2013
_____. “Theory of Reflexive Fiction.” In
García Landa, Vanity Fea 24 June
2012.*
http://vanityfea.blogspot.com.es/2012/06/theory-of-reflexive-fiction.html
2012
Recent Trends in Narratological Research
José Angel García Landa. Review of Recent Trends in Narratological Research: Papers from the Narratology Round Table ESSE 4, September 1997, Debrecen, Hungary, and Other Contributions. Ed. John Pier. New online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/recent.html
2004 DISCONTINUED 2020 – Online at the Internet Archive:
2020
https://personal.unizar.es/garciala/publicaciones/recent.html
2020
Mieke Bal on Character, Dialectic, and Open-Minded Analysis
Mieke Bal summarizing the exposition of the nature of character as viewed by narratology:
Repetition, accumulation, relations to other characters, and transformations are four different principles that work together to construct the image of a character. Their effect can only be described, however, when the outline of the character has been roughly filled in. This is a constant element in narratological analysis: a dialectic back-and-forth between speculation and verification through open-minded analysis.
from Narratology: Introduction to the Theory of Narrative, 4th edition, page 114.
The passage and its keyword “dialectic” popped out at me when I recalled José Angel García Landa’s remarks about the relation between noesis and poesis.
Expect the Expected
Berliner, Todd. “Expect the Expected: Aesthetics of Planting and Playoff.” Narrative 28.2 (May 2020): 174-99.
https://dx.doi.org/10.1353/nar.2020.0009
Online at Project Muse; online at Academia.*
https://www.academia.edu/42825801/
2020
Understanding Narratives
Understanding narratives is understanding the world and understanding lives and history, since we structure and understand the world and lives and history through narratives.
Chaucer the Author, Chaucer the Narrator, and the Wife of Bath
Luttrell, Eric. “Chaucer (Part 1 of 3) Chaucer’s England.” Video. YouTube (Eric Luttrell) 22 April 2017.*
2020
_____. “Chaucer (Part 2 of 3): The General Prologue.” Video. YouTube (Eric Luttrell) 22 April 2017.*
2020
_____. “Chaucer (Part 3 of 3): The Wife of Bath.” Video. YouTube (Eric Luttrell) 23 April 2017.*
2020
Le récit comme acte cognitif
Campion, Baptiste. (Institut des Hautes Études des Communications Sociales; U Catholique de Louvain). “Évaluer le récit comme acte cognitif: Quel cadre pour les approches expérimentales?” Cahiers de Narratologie 28 (2015 – “Le récit comme acte cognitif”): 1-12.*
http://doi.org/10.4000/narratologie.7212
Online at Academia..*
https://www.academia.edu/17595219/
2020
_____. Academia (Baptiste Campion).*
https://ihecs.academia.edu/BaptisteCampion
2020