J. Edgar: Megalomanía y Metaficción https://www.academia.edu/12077193/
J. Edgar: Megalomanía y metaficción
J. Edgar: Megalomanía y metaficción https://www.researchgate.net/publication/361328872
Elementos narrativos en el videoclip
Caro Oca, Ana María. “Elementos narrativos en el videoclip: Desde el nacimiento de la MTV a la era YouTube (1981-2011).” Ph.D. diss. U de Sevilla, Idus: Depósito de Investigación Universidad de Sevilla, 2014.*
https://idus.us.es/xmlui/bitstream/handle/11441/63957/P_T.D._PROV33.pdf
2022
El momento fílmico: de ‘Hamlet’ a ‘Saraband’
Retropost, 2012: El momento fílmico: de ‘Hamlet’ a ‘Saraband’: https://vanityfea.blogspot.com/2012/02/el-momento-filmico-de-hamlet-saraband.html
La presencia del narratario en el relato audiovisual
Prósper Ribes, Josep (U Politécnica de Valencia, jprosper@har.upv.es). “La presencia del narratario en el relato audiovisual.” Signa: Revista de la Asociación Española de Semiótica 24 (2015): 463-478. Online at e-Spacio (UNED).*
http://e-spacio.uned.es/fez/view/bibliuned:signa-2015-24-5145
2015
http://revistas.uned.es/index.php/signa/article/download/14698/13113
2021
Untold Stories Lab
16 – 23 July 2021
Over the course of one week, a select group of participants gets exclusive access to an early version of the interface, creates new screenings out of unseen film footage with the help of Artificial Intelligence and helps to steer functionality and design. Together we will investigate the value hidden in film archives and explore new ways of surfacing stories that have never been told before.
Untold Stories Lab will take place fully remotely online 16 – 23 July, with an opening and public show & tell event. The week in between will act as a sandbox, with participants working flexibly on their own time with the Untold Stories interface. On 20 July we’ll gather for an intermediary check-in to exchange thoughts and feedback. Participants will receive a honorarium for their involvement.
Fri 16 July | 16:00 – 18:00 | Opening |
Tue 20 July | 16:00 – 17:00 | Sandbox Check-in |
Fri 23 July | 16:00 – 18:00 | Public Show & Tell, Closing |
Express your interest in taking part by July 7th.
Selected applicants will be notified shortly afterwards.
—
Rasa Bocyte
Researcher
Match Cut Indeed
Retropost, 2011: Match Cut Indeed https://vanityfea.blogspot.com/2011/05/match-cut-indeed.html
Structure of Repetition
Shaham, Inbar. “The Structure of Repetition in the Cinema: Three Hollywood Genres.” Poetics Today 34.4 (2013): 437-518.* (Plans, heist, adventures).
DOI: 10.1215/03335372-2389578
https://read.dukeupress.edu/poetics-today/article-pdf/34/4/437/459263/PT344_01Shaham_Fpp.pdf
Online at Semantic Scholar.*
https://pdfs.semanticscholar.org/9c51/5f977ef6468a6f5d047bdfe1e64284c781d5.pdf
2020
Cuestión de puntos de vista
Pereira-Zazo, Óscar. (U of Nebraska-Lincoln). “Cuestión de puntos de vista: La mirada infantil en El Espíritu de la colmena y Secretos del corazón.” In Modes de representació i estratègies discursives. Ed. Josep V. Gavaldà Roca and Carmen Gregori Signes. (Quaderns de Filologia – Estudis de Comunicació, vol. 1). Valencia: U de Valencia, 2002. 227-38.*
https://www.academia.edu/34217368/
2020
O flashback e a narrativa nâo-linear subjetiva em Following
Huyer, Guilherme Jorge, Bruno Leites and Alexandre Rocha da Silva. “O flashback e a narrativa nâo-linear subjetiva em Following (de Christopher Nolan).” Imagofagia 16 (2017): 190-215.*
https://www.academia.edu/37444123/
2020